Posts Tagged ‘Strathcona’

101 Nights

Monday, December 21st, 2009

101 Nights by Bill Richardson

Add a ladle every night
To every ladle, add a light

101 Nights is an art installation by Vancouver writer and broadcaster Bill Richardson, and it ended tonight on the winter solstice. Bill produced it inside the shopfront windows of his old Edwardian house in Vancouver’s Strathcona neighbourhood. I’ve walked past this every night for months now. Bill collected 101 steel ladles from thrift and other sources, and each night for 101 nights he hung a ladle from the ceiling and lit a candle in its bowl. Tonight, on the solstice, the ladles total 101 and the whole neighbourhood was invited in to light a candle and make a wish.

101 Nights by Bill Richardson

101 Nights by Bill Richardson

101 Nights by Bill Richardson

101 Nights by Bill Richardson

101 Nights by Bill Richardson

101 Nights was so beautiful that I predict the neighbourhood will want to see it again next year, but lighting all the candles nightly was such a phenomenal amount of work that no one will blame Bill if he never does it again. I suggested that he hire a proper lamplighter, with a dark hood and a long taper and candle snuff, to come and light the candles every night. Maybe the figure of the lamplighter comes to mind because there’s an almost Dickensian feeling about the evenings at this time of year, here at the 49th parallel when it’s dusk at 4:30 pm. But it’s also that there’s not a little of the Dickensian in our neighbourhood, so close to ground zero of poverty in Vancouver, and the ladles are somehow a strange reminder of the ever-present soup kitchens nearby.

Now that it’s November this is known as a “fall pumpkin carving.”

Wednesday, November 4th, 2009

Japanese pumpkin raccoon

Hallowe’en is over but this fantastic Japanese raccoon figure survives. I wish it could stay there all winter. It was seen at this cool little bungalow – brick, which is unusual for Vancouver – a block away from the studio. The owners refurbished it and landscaped it themselves, but I was still taken aback by their pumpkin carving skills.

Japanese pumpkin raccoon at Strathcona bungalow

PS Addendum to this post: Scott Plumbe, the carver of this tanuki (Japanese raccoon dog) pumpkin, wrote in to say he took a night photo of it below and he has kindly let me add it here (see link for story). Farther below that is the “No Face” pumpkin carved by his wife Rosemary a few years ago. No Face is a character in my favourite animated film of all time, Spirited Away by Japanese filmmaker Hayao Miyazaki. Scott, not surprisingly, turns out to be a professional illustrator. This is an interesting way to meet your neighbours. See also this post on a house a few doors down from Scott and Rosemary’s.

Pumpkin - tanuki by Scott Plumbe

Pumpkin - Noface by Rosemary

Typography over at the Russian People’s Home

Tuesday, April 28th, 2009

Signage at the Russian Hall, 2009

Signage at the Russian People's Home

The Russian Hall, formerly the Russian People’s Home, consistently produces typography so clear, so straightforward, so capitalized it’s almost a design manifesto in itself. That’s what happens when you try to produce design degree zero: the more you eschew style, the cooler your no-style becomes and finally you’re just rad whether you like or not.

So you think you’d like to live in a church.

Thursday, March 26th, 2009

Church before cross and star were removed

As a kid I knew Arlo Guthrie’s Alice’s Restaurant off by heart, including the monologue (long story), but I never intended to actually end up living in a church myself. In 2002 I was looking for a cheap fixer-upper in Vancouver’s somewhat sketchy downtown eastside, back when prices were really low here, and suddenly a rundown little wooden church came on the market. On a lark I made an appointment to see it, and two days later I ended up owning it, something I’ve regretted more than once. Everyone who sees it tells me he/she has always wanted to live in a church, and while I obviously understand that fantasy, I must say that the job of making a church livable is not for everyone. Even without changing the basic structure, footprint, roofline or even any of the rooms/doors/walls, it’s more work than your average house renovation. For one thing, houses are built upwards for a reason – smaller foundation, smaller roof, and heat travels up. For another, they contain storage! Cupboards! A little church, on the other hand, has none of those things because it’s effectively a barn. The place is livable now, but the decor is entirely haphazard still –  you think decorating in a small space is hard? Try having all your stuff in one big room! It’s a bit premature to publicly post photos of the place, but I’m doing it anyway because I need to get a head start on renting the space out during the 3 weeks of Vancouver’s 2010 Winter Olympics, as a way of paying off some of the restoration. Apologies for using this blog as craigslist – there will be a better post later, when things are more complete. Above is the church when I moved in, when the star and cross were still on the roof, nailed straight into the shingles and creating serious leaks. Jesus may have been a carpenter, but the church volunteers sure weren’t.

First glimpse of the church during the open house

I took the above photo during the realtor’s open house, the first day I saw the place, and this is pretty much how I inherited it, including pool table and some 1970s green pews. Notice the wainscotting the whole way down the room, and the jade trim.

Main room April 2007

Main room, 2005, looking down toward altar

Above is the same room in 2006, a few weeks after the floors were finished. In 2007 the altar area became a fireplace alcove with a super-efficient Danish wood stove, below:

New sitting area with low carbon wood stove, in altar

The giant timber bamboo in the altar area, above, was brought inside as a party decoration when it was still green. A heavy snowfall had snapped the stems in the garden outside. After a month or two it turned this blond colour and somehow I never took it back outside, because without it the altar is too austere.

Front hall, temporary office with pews

Photos above and below show the front area, inside what was the tiny original church. That church was perpendicular to the main part of the later church, and even though it’s now all one room, you can tell that they were once at right angles because the ceiling trusses and floorboards run in a different direction. You can see this in the photo below, the one with the ceiling fans. The older part of the church, above, houses the front entrance, office (you can see a temporary desk set up while a wall-mounted desk is being made), and to the right are the master bedroom and bathroom. Above, the front doors are obscured by a hanging room divider made from British army snow camouflage netting. This will be replaced by a tall white rolling wardrobe that will double as a privacy pony wall, an item that becomes necessary when your front doors are at street level. There’s more info on each photo in the Flickr page – click on image. Below, you can see one of the only two original pews remaining from the earliest days of the church – they’re made out of the same Douglas fir as the building and have crosses carved into the each side. There were other pews from the 60s but they were cheap and had no redeeming features, so l I broke them up so that the heavy, old-growth Douglas fir could be re-used, including for an indoor swing.

Temporary office area, front of church

Hall and bedroom

Above is a view into the bedroom. The bed is inside the church’s original altar, a 5-sided cupola. The bed platform is a reconstruction of the original altar stage, which had been removed by a previous owner, and conveniently it fits a king size bed. And no, it doesn’t feel funny to sleep in the altar. After wondering if the place had been deconsecrated, I did some research and found that there is, in fact, no such thing as deconsecration. Deconsecration would essentially be the removal of a blessing, and apparently the removal of a blessing is the rough equivalent of a curse. It is heartening that Christian churches don’t remove blessings, not because I believe in blessings, but because the idea of removing them seems fishy. When a church sells one of its churches and its altar paraphernalia has been removed, the building automatically becomes a civilian, non-religious structure. There’s actually a long tradition of ex-churches being used for other purposes going back many centuries. Neighbourhood kids always ask if the place is haunted, but if it is, I’ve never noticed it. If it’s haunted, it’s haunted by the ghosts of the many cats and birds and rodents who died in the crawlspace, and whose skeletal remains, uncounted numbers of them, I had to remove. And a raccoon. I have photos of all of this in a file called “church horrors” but I will spare you.

First vegetable garden, 2008

The worst of the projects are now completed, after the sanding of the ceiling, substitution of drywall for plaster, insulation of all walls, ceiling and roof, refinishing of floors, re-roofing, updating of the kitchen and general repair and maintenance. It just needs decor fine-tuning and more storage, which at this point almost amount to the same thing. For more photos of the process, see below or click on photos to go to the Flickr set.

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Dram lamp by Propellor, made from vintage tumblers

Saturday, February 7th, 2009

Dram lamp from vintage tumblers, by Propellor Design

This fantastic new pendant lamp or chandelier is by our friends Propellor, an award winning collaboration of three Vancouver designers whose ridiculously beautiful studio is a few blocks from ours. The lamp was publicly launched today and while we have loved their Red Square chandelier for a long time, and would like to install it in our studio, we like this one just as much. Propellor also organizes Swell, an annual exhibition of sustainable design.

Chan family house in 1950s Vancouver

Friday, January 30th, 2009

Chan Kai Nang and Chan Man Yick, in their Vancouver dining room

These photographs are from my husband grandparents’ house, a blue Edwardian two-storey that still stands in Strathcona, Vancouver’s oldest residential neighbourhood. The house is less than a block away from our studio and very close to where we both live. Strathcona was – and is – home to many of Vancouver’s early Chinese immigrants.
Chan House, Kitchen, 1958

These are bare-bones interiors. My grandfather-in-law, Kai Nang Chan, worked at a laundry for sixty hours a week and sent all his money home to China to help care for his family. I’m probably blinded by my love for my in-laws, but there’s something dignified and even sweet about these rooms, despite the fact there’s absolutely no hint of pleasure or comfort in them. It’s nearly penal. Taken around 1958, these photographs were meant show my husband’s father what awaited him if and when he could afford to come to Canada to join his parents. I’m not sure what’s so enticing about oilcloth floors and floral wallpaper, but I love the detail of the lovingly-posed electric guitar put there by the one son who “made it”. You can see the guitar below in the bedroom of the youngest son, Alan, who came to Canada with his mother following the lifting of the Chinese Exclusion Act. He and his mother are seated together in the following photo. Alan embraced all things western: he had a ducktail and a leather jacket to go with the electric guitar. Vancouver, especially the East End, still had a frontier feel in the 50s. There was an elderly uncle – or family friend, it’s sort of fuzzy – who wore nothing but cowboy gear. Chaps, hat, spurs, the whole thing, and walked around Strathcona in it. I know my husband has a photo of him, but unfortunately an embarrassed photographer (probably my husband’s grandfather) told him to take the hat off. But he’s still in full chaps. This era in Chinatown’s history is well-documented in Wayson Choy’s award-winning novel The Jade Peony.

Alan Chan's bedroom on Keefer Street, with electric guitar

Man Yick and son Alan in their living room

Chan house on Keefer Street, Vancouver, 1950s

The house today:

700 block of Keefer Street