For those who aren’t familiar with the song In Every Dreamhome A Heartache, it appeared on the 1973 Roxy Music album For Your Pleasure. See here for a live performance featuring Brian Eno on keyboards, looking like a sick Ziggy Stardust, and Andy Mackay wearing some quite amazing blistered spaceman pants in green satin. The decor-filled lyrics are below, but here’s a sample: “Open plan living/Bungalow ranch style/All of its comforts/Seem so essential.” There’s a certain nostalgia for 70s decor happening at the moment. Not surprisingly, back in 1973 there was a different, more skeptical take on opulent, “utopian” postwar interior design and its discontents. As an aside, I think the houses being sung about here were actually the 50s rancher bungalows Bryan Ferry would have grown up with, but then the 1970s “dreamhome” styles would probably have had their roots in 50s modernism.

The top two photographs are from 1973; the photo at far bottom is from 1974.

Thanks to glen.h and vytaute and Miss Retro Modern on Flickr.

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Ann Margret as Nora Walker Hobbs in Ken Russell’s 1975 film “Tommy”. This scene, not to mention the whole film, was absolutely formative for me (and apparently I’m not alone). It opens with a drunk Nora watching TV in her all-white glam boudoir; on the screen is an ad for baked beans, “Fit For A Queen.” Nora throws a champagne bottle through the TV set, soap suds and baked beans pour out into the white bedroom, and she writhes, laughing, in the surreal, psychedelic mess.

 See Hilly Blue’s excellent collection of film stills at  Flickr.

Obviously the House of Tomorrow wasn’t meant to be part of everyone’s tomorrow. Nice Jag. Nice unbuttoned look, too. That’s the developer, Bob, with his wife Helene in their 1960 Desert Modern-style house in Palm Springs by Palmer & Krisel, architects. From here. The photographs originally appeared in Look Magazine. The third photo is actually from a different Palmer & Krisel house in Palm Springs.