The strange, familiar oppressiveness of falling cherry blossoms in Vancouver.
Video is by my friend Geoffrey. (Sorry about the quality – I wish YouTube wouldn’t automatically upsize small frames – this is meant to be a small image.)
I apologize for my continuing semi-absence from this blog. I appreciate your patience and I thought you might enjoy this sign from one of the crafts stalls at the Ferry terminal between Vancouver and Victoria. It seems to represent the current state of the BC Arts Council thanks to the current corporate redneckery that prevails here in BC. I’m the head of a board of directors of an art gallery in BC whose promised funding – not tax dollars but money that comes from gaming (provincial lottery) – has been abruptly retracted, while the arts get cut in a million other ways. All other economic sectors are subsidized, but not culture which puts $5 billion into the BC economy annually? If anyone is interested there is more on this here. I and many others are very busy fighting the government to get that money back. The BC Liberals (misnamed) effectively want to put gaming money – the fruits of gambling – into general revenue, which is sort of what you might expect from a tin-pot dictator. If the treasure chest is empty, it’s because they went massively overbudget on the stupid 2010 Olympics, among other things. Oh, and here’s a misleading, obfuscation-filled letter Minister Krueger sent me today, in error. It’s so fantastic when political leaders accidentally send you the “Track Changes” version of their letters.
The Russian Hall, formerly the Russian People’s Home, consistently produces typography so clear, so straightforward, so capitalized it’s almost a design manifesto in itself. That’s what happens when you try to produce design degree zero: the more you eschew style, the cooler your no-style becomes and finally you’re just rad whether you like or not.
This is a long, messy, eclectic photo essay about the strange, hybrid, and surprisingly impure histories of objects and buildings. It is skewed toward the ancient, the modern, the space-age, the 1960s and the 1970s, the adventurous, the unexpected, the ecological, the utopian and the anti-utopian, the unstuffy and the unstaid, design as making-do, the real, the lived in, and mixes of all kinds. Since design isn't divorced from other things, it's also about art, social issues, urban and community planning, technology, philosophy and anything else that intersects with design, which means everything. "ouno" is a name in both Finnish and Japanese, it's the same upside-down as right-side-up, it refers to both zeros and ones, and it is pronounced uno. My name is Lindsay and I'm open to your complaints, disagreement or general crankiness. Free free to comment or email. This is an anti-intellectualism-free zone and around here we don't try to dampen critique by calling it negativity or whining. We call it thought!